Selecting a Synth for Panel Focus causes the Moog One front panel knobs and buttons to switch control to that layer of timbrality. Multitimbral synthesis is simplified through the Moog One ‘Panel Focus’ module. Additionally, each synthesizer is equipped with its own fully-featured step sequencer, arpeggiator, and effects processor. For more complex modulation options, Moog One also employs an internal Modulation Matrix with visual access to every possible combination of the instrument’s extensive synthesis and controller components.Ĭomprised of three independently addressable analog polysynths, the tri-timbral Moog One design allows voices to be easily assigned, split, layered, or stacked with up to 48 oscillators in Unison Mode. In addition to looping, synchronization, and time scaling capabilities, the character of each envelope can be user-sculpted through utilization of per-stage envelope curves.Įasily create modulation assignments from any of Moog One’s 4 LFOs and 3 EGs by pressing their corresponding Destination Button - the next knob touched sets the modulation path and amount.
Capabilities include MIDI synchronization and clock division, start delay time, number of repeats per instance, fade in and out time, and much more.ĭynamic sound shaping within Moog One comes via its 3 assignable DAHDSR Envelopes (Delay, Attack, Hold, Decay, Sustain, Release).
POLYPHONIC MOOG SERIES
These two filters can process sounds individually or together, in series or parallel operation, to access a vibrant spectrum of classic, obscure, and completely new filter sounds.Ĭyclical motion within Moog One is generated by 4 wide-range LFOs that can be assigned to nearly any destination. The second is a classic Moog Ladder filter with selectable low pass / high pass behavior. The first is a newly-designed multimode State Variable Filter that brings razor-like precision and articulation to the instrument. There are two types of analog filters in Moog One. Moog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input - sound sources can be shaped by different filters independently, or at the same time. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.
POLYPHONIC MOOG GENERATOR
The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.Įach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones.
POLYPHONIC MOOG PLUS
The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Sculpt, shape, and transform your own sound with nearly infinite possibilities.Įach Moog One voice employs three newly developed triangle core analog VCOs. Moog One is an unprecedented conduit for the expression of your own creative voice. Extended functionality is easily accessed via a per-module “More” button that brings additional parameters into focus using the Moog One center-panel LCD to ensure the most transparent and expedient sound creation experience possible. Secured in a hand-finished Ash cabinet and aluminum enclosure, Moog One’s front panel is equipped with 73 knobs and 144 buttons, inviting physical connection with every sound shaping and performance control.
POLYPHONIC MOOG PROFESSIONAL
To deliver an infinitely inspiring performance experience, each of the three timbres can be easily split or layered across Moog One’s expressive 61-note keyboard, each with its own sequencer, arpeggiator, and onboard effects library-including a suite of professional reverbs from Eventide. Per voice, Moog One offers 3 newly-designed analog VCOs, 2 independent analog filters, a dual source analog noise generator, analog mixer with external audio input, 4 LFOs, and 3 envelopes. Moog One’s polyphonic sound engine is built on the most powerful synthesizer architecture ever employed by a Moog instrument.
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